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Married directors Scarlett Bermingham and Andrew Rhymer on making rom‑com All That She Wants about trying to get pregnant

Scarlett Bermingham and Andrew Rhymer tell IndieWire how their first feature as a directing duo, All That She Wants, interweaves rom‑com beats with a candid look at fertility and family, and how their own lives echoed the story.

By Lee CoombsPublished 23 September 2026
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Scarlett Bermingham and Andrew Rhymer

Scarlett Bermingham and Andrew Rhymer, a married filmmaking duo, discussed their Toronto Film Festival premiere, All That She Wants, in an interview with IndieWire. The rom‑com follows Emma, a dancer in her 30s who wants a baby but not necessarily a relationship, and Luke, a younger grad student who complicates her plans. Bermingham and Rhymer said the film’s themes hit close to home: their own struggles to secure financing coincided with pregnancies in their family, and they delivered the director’s cut a week before their son's birth. The project is the pair’s first feature as co‑directors and aims to broaden how the rom‑com handles a woman’s desire to start a family.

Festival

Toronto premiere and the film’s premise

Bermingham and Rhymer took the stage at the Toronto Film Festival to present All That She Wants, which was largely shot in the city. The film centres on Emma, a dancer in her 30s stalled by demeaning gigs and a desire to become a mother, and Luke, a much younger, sweet‑natured grad student who enters her life. The directors said they hoped the story would offer a fresh angle within the rom‑com tradition by validating the experience of wanting to start a family while retaining genre elements. The interview took place in early September in Toronto, where the pair discussed how the film sits between romantic comedy conventions and more personal stakes around parenthood.
Casting

Annie Murphy and Cooper Raiff bring different tones to familiar roles

Bermingham and Rhymer highlighted their leads as part of the film’s effort to expand how rom‑com characters are portrayed. Annie Murphy, known for her physical comedy and her role on Schitt’s Creek, was praised for showing emotional range: Bermingham said the film reveals that Murphy “can go there emotionally, too.” Cooper Raiff, who has previously played neurotic, semi‑autobiographical parts, was described by Rhymer as displaying a new maturity onscreen—an “old soul” quality that differentiates his Luke from earlier roles. The directors positioned those performances as central to balancing humour with the more intimate emotional territory of wanting a child.
Behind the scenes

A directing partnership shaped by parenthood and long financing battles

Bermingham and Rhymer spent around four years assembling financing for the film, and they said major life events overlapped with its development. In an interview with IndieWire, they said Scarlett was pregnant when they first signed on, and a couple of years later they learned she was pregnant again; their son was six months old at the time of the conversation. The directors said they turned in the director’s cut a week before the baby was born. This was their first feature as co‑directors, and they described a collaborative process in which disagreements led them to find a stronger third option. They also acknowledged the practical challenges of combining parenting with filmmaking, from late‑night script fixes to always being in conversation about the work.

Next projects

Development slate and an NYU meet‑cute

Beyond All That She Wants, Bermingham and Rhymer have several projects in development. They are attached to an adaptation of the children’s book The Paper Bag Princess for Universal and LuckyChap, and they have a project called Big Time Abroad that New Line picked up; that project has been described as a cross between Booksmart and Indiana Jones. The pair also recounted how they first met as freshmen at New York University—Bermingham as an acting student and Rhymer as a film major—when Rhymer volunteered on a student film and quietly nursed a crush. He later worried he had accidentally broadcast his feelings from the sound booth; Bermingham said she didn’t hear anything. The anecdote underlines how their personal and creative lives have long been intertwined.
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